Martin Colloms — это толковый дядька, он еще PRAT пропагандирует с 1992 года и работает обозревателем в Hificritic.com и книги по нашей тематике пишет.
В 1972 году вместе с партнерами основал Monitor Audio Ltd.
У него есть свой рейтинг усилителей, кабелей и разных цифровых источников. Больше баллов — выше рейтинг.
Обсудим!?
| Audio Note Kegon SE ( WE300B) | 40 |
|---|---|
| Audio Note Ongaku (2005, load dependant) | 55-85 |
| Audio Research D120 | 19 |
| Audio Research MA100 | 18 |
| Audio Research M300 | 16 |
| Audio Research SP11 Mk2 | 15.5 |
| Audio Research D115 II | 11 |
| Audio Research D25 | 18 |
| Audio Research M 300 | 14.5 |
| Audio Research VT 150 (SE) | 28 (29) |
| Audio Research D400 | 18 |
| Audio Research D120 | 19 |
| Audio Research Classic 120 | 20 |
| Audio Research VTM200 | 28 |
| ARC D125 | 18 |
| ARC REF 150 | 185 |
| Audio Research REF D110 (check loading) | 133 |
| Bel Canto SET 80 | 23 |
| Bel Canto e.One REF1000 | 10.5 |
| Bully Sound BSC 100m provisional | 130 |
| Bully Sound BSC 60s provisional | 180 |
| Cary SLP 70 Power | 16 |
| Cary 572 SE | 35 |
| Cary 300se LX20 (fixed bias) | 50 |
| Cary 300se LX20 (auto bias) | 38 |
| Cary 805 c (load dependant) | 45 |
| Cello Performance power amp | 12.8 |
| Channel Islands D100LGR | 13 |
| Classe CA 201 | 17 |
| Classe CA 200 | 20 |
| Conrad Johnson Premier 8a | 38 |
| Conrad Johnson MV125 | 18.5 |
| Conrad Johnson MF 2300 | 22 |
| Conrad Johnson MF 2500 | 22 |
| Conrad Johnson MV55 | 23 |
| Conrad Johnson Premier 140 | 35 |
| Conrad Johnson LS70 | 38 |
| Conrad Johnson MV60se [EL34] | 35 |
| Conrad Johnson MV60se [6550] | 40 |
| Conrad Johnson Premier 350SA | 110 |
| Cyrus PA 7 monos | 24 |
| D’Agostino Stereo power amplifier | 210 |
| DNM PA3s | 33 |
| Edge NL 10 Mono | 37 |
| Electrocompaniet AW 250 power | 17 |
| Exposure MCX | 100 |
| Flying Mole DAD -M100 proHT mono | 20 |
| Goldmund Mimesis 3 power amp | 16 |
| Halcro DM 38 | 33 |
| Hot Tubes JD1 | 50 |
| Jadis JA 30 power | 15 |
| Jadis JA200 | 16 |
| Karan KA S270 power | 36 |
| Karan KSA 450 | 80 |
| Krell Evolution 402 original | 75 |
| Krell FPB 650m | 55 |
| Krell FPB300 (original) | 33 |
| Krell FPB300 Mk2 | 39 |
| Krel PfPB400CX | 78 |
| Krell FPB 400 | 65 |
| Krell FPB700cx | 100 |
| Krell KMA 100 II | 14 |
| Krell KSA 100s | 21 |
| Krell KSA 80 | 17.5 |
| Krell MDA 300 | 23 |
| Krell KSA200s | 19.5 |
| Krell KST power | 19.5 |
| Krell KAS-2 | 30 |
| Krell Evolution One | 130 |
| Krell FPB600 | 45 |
| Krell KSA150B | 20 |
| Krell KSA 50 | 9.7 |
| Krell KMA 160 | 21 |
| Krell FPB 400cx | 75 |
| Krell Evo 402e | 145 |
| Krell Evo 402 ( later series) | 120 |
| Krell KAS 2 | 31 |
| Mark Levinson ML 20.5 | 16 |
| Mark Levinson ML 333 | 22 |
| MSB Platinum 200 mono | 145 |
| Muse 175 power | 17 |
| Musical Fidelity A370 | 15.3 |
| Naim NAP 200 provisional | 80 |
| Naim NAP 250 classic | 29 |
| Naim NAP 300 ( 2013) | 130 |
| NuForce 8.5V2 | 9 |
| Pro-Ject Amp Box | 5 |
| Quad 405 | 7.3 |
| Quad 202 | 10 |
| Quad 303 | 6.5 |
| Quad 606 | 8.5 |
| Quad II Classic 2009 | 18 |
| Radford STA 25II | 12 |
| Robert Koda K-70 | 185 |
| Sharp 1 bit SM-X100 | 15 |
| Spectral DMA 50 (pre 1990) | 15 |
| Sunfire 300W | 14 |
| Tag McLaren 100X5R stereo | 17.5 |
| Technics SE-A 3000 power | 12 |
| VAC Phi 200 stereo mode | 130 |
| VAC Phi 200 as monoblocks | 180 |
| Aesthetix Rhea Phono | 38 |
|---|---|
| Aesthetix Calypso (26 with NOS valves) | 20 |
| Audio Music R-S (Balanced) | 125 |
| Audio Research LS 7 | 28 |
| Audio Research SP10 | 11 |
| Audio Research LS5 II | 21 |
| Audio Research LS 15 | 25 |
| Audio Research LS 9 | 24 |
| Audio Research LS 15 | 25 |
| Audio Research LS 2 | 25 |
| ARC SP11 II | 15.5 |
| Audio Research LS 8 | 20 |
| Audio Research PH 1 | 22 |
| Audio Research LS 22 | 30 |
| ARC REF 2 Phono MC/MM | 155mm 145 mc |
| Audio Research LS 3 b | 25 |
| ARC REF 2 line | 57 |
| ARC REF 3 | 115 SE,130 Bal |
| Audio Research REF 5 SE | 205 SE, 225 Bal |
| ARC REF 5 | 160 SE, 175 Bal |
| Audiolab 8000p | provisional 25 |
| Audiolab 8000c pre | 11 |
| Audio Note M8, Audio Note M10 | 48 (aux in) |
| Audio Note M-9, Audio Note ANS -9 (MC Phono) | 160 |
| Audio Note ANS-4 step up | 65 |
| Audio Synthesis Passion (Vishay) | 36 |
| Audio Synthesis Passion Ultimate (remote) | 31 |
| Audio Synthesis Passion | 30 |
| Aurorasound Vida | 70 |
| Boulder 2010 | 28 |
| Bryston BP26 | 16 |
| Cary pre SLA 74P phono/line | 16 |
| Cello Palette | 16 |
| Cello Audio Suite Pre | 15.5 |
| Classe CP 65 | 35 |
| Concert Fidelity CF-08LSX-2 | 150 |
| Conrad Johnson EV1 | 30 |
| Conrad Johnson CT5 | 90 |
| Conrad Johnson Premiere 15 | 45 |
| Conrad Johnson ART | 57 |
| Conrad Johnson ART II | 68 |
| Conrad Johnson ACT-2 (mkII) | 105 (110) |
| Conrad Johnson Premier 7 | 36 |
| Conrad Johnson 17 LS mkI | 46 |
| Conrad Johnson 17 LS -II | 44 |
| Conrad Johnson PV 14L | 24 |
| Conrad Johnson PF-R | 22 |
| Conrad Johnson Evolution 20 | 20 |
| Conrad Johnson Motif (line) | 23 |
| Conrad Johnson Premier 16 | 49 |
| Conrad Johnson Premier 14 | 39 |
| Conrad Johnson Premier 16LS | 49 |
| Conrad Johnson Premier 18 | 28 |
| Conrad Johnson Sonographe fet pre | 15 |
| Conrad Johnson 18LS | 30 |
| Conrad Johnson PV10 B | 28 (line) |
| Creek OBH -15 MM, MC phono | 35, 19 |
| Creek OBH 22 passive (load sensitive) | 39 |
| Creek OBH 21 Headphone amp | 40 |
| Cyrus Phono (PSU) | 28(35) |
| Edge Signature one (battery) | 37 |
| Electrocompaniet EC3 | 18.5 MC, 22 line |
| Exposure MCX | 98 |
| Halcro DM10 | 22 disc/26line |
| Jadis JP 30 (original series) | 14 |
| Klyne sk6 | 13.5 |
| Krell Evolution One | 120 |
| Krell Evolution 202 | 70 |
| Krell KSP pre | 21 |
| Krell KRC-2 | 22.5 |
| Krell KCT 28 | 28 |
| Krell KPS 28 | 35 |
| Lehmann Audio Silver Cube | 26 |
| LINN Uphorik | 98 |
| Mark Levinson No 38s | 33 |
| Mark Levinson ML 26 | 20.5 |
| Musical Fidelity MVX pre | 12 |
| Musical Fidelity MVT | 13.5 |
| Music First Reference Bal/SE TFR | 180 |
| Myryad MP 100 pre | 15 |
| Naim Prefix mc phono | 45 |
| Naim Superline mc phono- Hi-Cap | 120 |
| Naim Superlinemc phono Supercap, Supercap DR | 145, 190 |
| Pink Triangle PIP pre | 18 |
| Plinius Koru | 15 MM/MC |
| Pro-ject Tube Box SE II Phono MC, MM | 45,45 |
| PS Audio GCPH | 15 |
| Roksan Platinum Phono Reference DXP SE | 45 |
| Roksan Platinum PR15B | 20 |
| Stevens and Billington transformer passive | 33 |
| Tag McLaren DPA 32 | 19 |
| Thrax Dionysus | 135 |
| Thrax Orpheus | 225 |
| Townshend Allegri autotransformer | 230 |
| Townshend Glastonbury Pre 1 SE AutoTFR | 195 |
| Trichord Dino Mk2 MC phono | 29 std supply, 33 NC supply |
| Van Den Hul Grail MC phono | 65 |
| XTC PRE II | 80 (line) |
| YBA Pre 1 | 15.5 |
Как циферки друг с другом соотносятся? Audio Note Ongaku - 55 - в 3 раза хуже по звуку, чем Naim NAP 300 - 130 ?
Да, прикинь!
Они там в своих америках какую-то неправильную дурь синтезируют…
На мой взгляд это надо интерпретировать не как рейтинг качества звучания, а рейтинг популярности. На примере ARC самый большой рейтинг у LS7 и понятно почему: он самый дешевый из ламповых небалансных предов у фирмы.
Мля что ИТА !!!
КРУТА то как !
Пошел покупать ресерч, ща на барахолке отрою по списку и в тур отправим в сайберию, новосибы.
Это жесткая правда жизни.
Я свой рисерч LS7 продал. Играл вкусно, но сильно большой коэффициент усиления для цифры. Ей оно не надо.
Мне было интересно почитать про те, что получили высокую оценку!
Robert Kŏda ‘Takumi K-70’:
Ex-Audio Note UK and Audio Note Japan (Kondo) engineer Mr. Robert Koch merges traditional artisan techniques with lateral-thinking to express his unique philosophy.
The ‘Takumi K-70’ tri-chassis power amplifier is a marriage of a single-ended triode input stage, thirty-two power transistors and a 600 VA R-core transformer per channel, executed with a selection of highest-grade wiring harnesses and components.
Robert Koda K15 EX preamplifier
Няша. Напоминает Pioneer A-09. И Luxman at3000
https://img01-olxro.akamaized.net/img-olxro/213098759_1_644x461_pioneer-a09-timisoara.jpg
https://s-media-cache-ak0.pinimg.com/originals/2e/2f/50/2e2f50739984dbfa0f7f1dfce4a19ef9.jpg
Эти английские японцы — хороши! Весь дизайн на много процентов состоит из ручек.
Топчик!
